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Based on 32,042 reviews
TC Electronic D Two Delay Product Overview by GAKWith the TC Electronic D Two Delay, effects masters TC had the inspiration to combine their astounding delays with the exciting introduction of the Rhythm Tap feature. Rhythm Tap allows not only can you tap tempo, but you can tap actual rhythm patterns on the unit, meaning your creativity will know no bounds! It features all the classic TC delays, from Ping Pong to a Reverse delay and offers three ways to control your delays (Traditional, Straight and Rhythm Mode) and truly sculpt your sound to your liking.
£298.00
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Based on 65,084 reviews
Take to the stage with a new voice. Offering amazing effects, the Zoom V6 Vocal Processor provides you with a variety of ways to change how your voice sounds. The effects includes octave, up/down, whistle, talkbox, vocoder and more. It even allows you to pitch correct on the fly to produce a modern EDM vocal sound. The V6 is incredibly easy to use. The onboard controls make it simple to select the effect you want, and the central harmony dial is clearly labelled so you can quickly make changes on stage. The rugged construction means you can use it without fear of breakage. There is a built-in compressor for optimising input signal levels, and an enhancer for making your signal frequencies sound as good as possible. The unit also comes with an SVG-6 shotgun microphone which is ideal for performing with isolated vocals on stage. This means the effects only change the sound of your voice and nothing else on stage.
£315.00
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Free Delivery
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Based on 32 reviews
Boss RV-500 Reverb Effects Processor Journey to new dimensions of time and space with the RV-500, the most powerful and versatile reverb processor BOSS has ever produced. Main Features Studio-level sound with first-in-class 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate 12 modes with 21 reverb types, all with deep editing parameters Includes a wide range of reverb types from standard to advanced, plus Roland classics such as the SRV-2000 Reverb and RE-201 Space Echo A/B Simul mode allows you to use two reverb patches at once Powerful DSP provides independent digital delay with modulation along with each reverb patch 297 onboard patch memories and hands-on controls USB-MIDI for connecting to the RV-500 Editor/Librarian or a DAW Read More This multifaceted creation machine features class-defying 32-bit AD/DA along with 32-bit/96 kHz floating point processing and immense programmability, putting pro-level studio reverb and more at your feet. Twelve modes and 21 newly developed reverb algorithms deliver a huge range of textures, from complementary ambience to deep, immersive sonic atmospheres. And thanks to the RV-500's high-octane DSP, you can access a full-featured digital delay along with every reverb patch, and even run two reverb patches at once! Adding in MIDI I/O, support for external footswitch/expression control, and USB for connection to the free RV-500 Editor/Librarian software, the RV-500 is simply the most advanced reverb pedal available, bar none. Twelve Modes and 21 Unique Reverb Types Inside the RV-500 are 21 top-quality reverb algorithms that enable you to shape any kind of space you can imagine. Each includes a massive range of adjustable parameters, from decay, density, and modulation to EQ, ducking, and more. Every algorithm has been newly developed specifically for this pedal, leveraging BOSS's decades of expertise in advanced reverb design. On tap is everything from standards like room, hall, and plate to advanced reverbs like shimmer, non-linear, SFX, and many more. Also included are all-new recreations of the RE-201 Space Echo and SRV-2000 Digital Reverb, two revered Roland classics from the '70s and '80s. Extraordinary Sound The RV-500 features 32-bit/96 kHz AD/DA, exceeding all industry standards for pedal-based effects. All internal processing is 32-bit floating point and runs at a 96 kHz sampling rate as well, delivering pristine sonic quality that goes beyond the highest-level digital processors used in top pro studios. If you wish, you can run your analogue dry tone straight through so it's completely untouched with digital processing. You're also able to select true-bypass or buffered-bypass operation to suit the needs of your setup. Intensive Real-Time Control With its freely assignable switches and extensive support for real-time control, the RV-500 delivers unmatched creative expression and performance flexibility. By default, the A, B, and TAP/CTL switches offer intuitive control for patch/bank selection and bypass, plus tap tempo and real-time adjustment of various effect parameters. If you like, the switches can be customised to access three different reverbs patches, A/B Simul mode, and other functions. MIDI I/O opens the door to even more creative possibilities, offering deep control options with advanced setups. Simultaneous Reverbs and Independent Digital Delay With its powerhouse DSP engine, the RV-500 is far more than a one-effect device. To start, the pedal's Dual mode provides two independent reverbs at once: you can feed them both with a full-range input, or with divided frequency ranges on each input to build rich, multi-range sounds. And when you employ A/B Simul mode, you can use any two RV-500 reverb patches at the same time, with your choice of series or parallel connection order and mixed or split A/B output. What's more, each patch also includes a digital delay with a full set of parameters including modulation and EQ, plus the ability to set the reverb and delay effects for series or parallel operation on a per-patch basis. Advanced Interface, Intuitive Operation The RV-500 is equipped with a large LCD that clearly shows the patch name, delay time, and other vital performance information. It also makes it easy to view and adjust the unit's deep editing parameters and advanced control features. With the grab-and-go panel knobs, you have top-level access to essential parameter adjustments like pre-delay, high and low EQ, and effect level. And via USB, you can connect with the free RV-500 Editor/Librarian on your computer for remote editing, patch backup, and more. RV-500 Modes and Algorithms Room—Four types: small, medium, large, and ambience. Hall—Three different hall sizes. Plate—Classic studio-style reverberation. Spring—Choose from one to three springs. Shimmer—Two voices of pitch-shifted reverb. Fast Decay—Unique reverb with quick decay for increased clarity. Early Reflection—Four types with envelope parameters to shap
£297.91 was £349.00
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15% OFF
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Trustpilot product.getMerchantStarRating() stars
Based on 191 reviews
The BOSS VE-8 Acoustic Singer is a unit dedicated to the acoustic guitar play who sings. It is a complete solution that includes a range of processing, including vocal harmonies and pitch correction, a looper and specific vocal/guitar FX. The vocal channel on the VE-8 comes complete with a selection of options to process and tweak your vocal. There are 4 ambience effects plus an Enhance feature to add clarity and control to your vocal sound. The Chromatic Pitch function will keep your vocals in tune, with fast-time processing. Want to add a modern touch to your vocals? Why not try the hard-tuned electronic voice sounds, distortion, and radio voice tones. Adding harmonies to your vocals is easy with the VE-8. The unit detects the chords and key played on your connected guitar, and then generates the correct harmonies, live. Hybrid and fixed harmony modes are available too, providing versatility for different performing applications. A doubling effect is also included for adding fullness and presence to a vocal performance. The guitar channel in the VE-8 provides a wide range of sound-shaping options and performance functions. Acoustic Resonance restores the natural guitar sound, eliminating the sterile piezo “quack” that plagues undersaddle pickups used in typical plugged-in acoustics. Reverb and chorus are on hand too, plus effects like Octave, Mod Delay, and more. Useful tools for stage performing include a built-in guitar tuner, plus a phase switch and notch filter for instantly dealing with any feedback issues Also included in the VE-8 is a specially designed looper with up to 80 seconds of recording time. The looper is always available via a dedicated footswitch, and the user can easily select the guitar, voice, or both as a looping source via panel buttons or an optional external footswitch. Thanks to its intuitive design, the BOSS VE8 is a breeze to use and will perfectly fit into your live set-up. The three built-in footswitches allow for easy control whilst performing, plus you can use optional footswitches for more control. It can be run off batteries or on AC power. Compact, all-in-one preamp and effects solution for singers who play acoustic guitar Dial in rich, sophisticated BOSS sound processing with simple, intuitive controls Studio-quality vocal processing includes four types of ambience effects plus Enhance, chromatic pitch correction for live vocal tuning, and more Create natural vocal harmonies in real time based on guitar input or manual key settings Also includes a vocal doubling effect, plus more dramatic processing like hard-tuned electronic voices, distortion, and a radio voice effect Dedicated guitar channel includes Acoustic Resonance, reverb, chorus, tuner, and various effects, plus phase invert and notch filter for feedback control Looper function with 80 seconds of recording time and the ability to loop guitar and vocals independently Memory mode for storing and recalling 50 favorite settings Flexible connections for integrating with a main PA and stage monitors, plus USB for computer recording Runs on six AA batteries or included AC adapter
£299.00
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More Options Available
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Based on 34,346 reviews
Detail | Clarity | Density | Loudness INTENSITY is a new kind of audio processor for mixing, mastering and sound design. Built on techniques typically found in facial recognition algorithms, INTENSITY brings out a sound’s inherent detail, increases its perceived loudness and density, and adds insane amounts of clarity. The unique algorithm carves out important signal features – making sounds sound more like themselves – and is operated with essentially one control. Between the proprietary algorithm and an optional soft-knee saturating limiter in the plugin’s output stage, INTENSITY also excels at attaining maximum loudness and creating a beautifully aggressive tone. The key INTENSITY features at a glance: Mastering-grade processing for more detail, clarity, density and loudness. Intuitive and fast workflow using a streamlined set of controls. Proprietary INTENSITY circuit with optional frequency-dependent BIAS function. Additional precision soft-knee saturating limiter at the output stage. Think "Compressor" So what IS this thing, then? You can think of INTENSITY like an infinite-band compressor operating in relative terms – whose time constants are zero, and which is controlled by an artificial intelligence at audio rate – making it possible to adjust the process with essentially just one knob. Or Actually, do NOT Think "Compressor" Well, except that this description would be completely inaccurate, as INTENSITY is absolutely NOT a compressor, and works in a completely different way. There's no RMS detector, no threshold, no ratio, no attack or release time. It doesn't pump or modulate in any other way. It doesn't overshoot and it works regardless of absolute levels and input type. That said, the compressor analogy does serve to give you an idea of when to use it and what for. Across the Board INTENSITY is equally suited for processing individual tracks like speech, SFX, instruments – including guitars, bass and piano – as well as full mixes, multi-channel film stems, drum busses, and other complex content. This makes INTENSITY an indispensable tool for music producers, mastering engineers, sound designers, video producers, broad/podcasters, forensics professionals, audiophiles, or virtually anyone to quickly and easily add clarity, definition, and perceived loudness to their audio projects. Fast, Faster, INTENSITY This plugin is probably the fastest way to get great sound. No kidding. The actual, real-world usage story goes pretty much exactly like this: Insert plugin Adjust INTENSITY amount Enjoy the result. In some cases, you may additionally: Adjust BIAS Amount and/or Curve Switch LEVEL COMPENSATION off Activate the saturation. ...that is literally it. TL;DR – Summarize that in Plain English, Please. OK, we'll drop the geek. It's a high-tech thing that makes everything sound way more awesome. Which is why we call it The AWESOME!-Knob in our offices. Put it on everything, all of the time. Be careful, it's highly addictive. Plain enough? :-) INTENSITY At the heart of the plugin lies its namesake, the INTENSITY circuit. A combination of advanced neural network based analysis and proprietary input and output transforms is used to separate the signal into broad strokes and detail features. By boosting the details while leaving the broad strokes in place, the sound's unique characteristics are amplified, masking effects mitigated, details carved out, the density and perceived loudness increased. Sounds high tech? That's because it IS. BIAS In most cases, the INTENSITY trackball is all you'll need to use to get a great sound. But the processing amount can be controlled frequency dependently, too, using the BIAS function. Preset BIAS Curves INTENSITY features ten preset bias curves, including two equal loudness curves, a presence boost curve, linear tilt curves, and more. Curves are selected using our proprietary Visual Menu widget, which allows you to preview a setting simply by hovering your mouse over it. Custom BIAS Curve Or simply create your own. Supported by multiple macro functions, finding just the right curve is a snap. SATURATE On top of the high-tech INTENSITY circuit, there's also a slightly more traditional, but nonetheless state-of-the-art soft-knee saturating limiter that can optionally be switched into the output stage. From subtle glue to in-your-face-ness to Yeah-I-Just-Got-Three-dB-of-Loudness-For-Free in mastering to straight-up overdrive, the SATURATE circuit delivers a beautifully warm, meaty tone...and can drive the loudness into La-La-Land. System Requirements Formats INTENSITY is available for a variety of formats. MacOS X: Apple AudioUnits (32/64bit) Avid RTAS Avid AAX Native including AudioSuite (32/64bit) S
£323.05 was £324.48
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Trustpilot product.getMerchantStarRating() stars
Based on 22,452 reviews
Compact, all-in-one preamp and effects solution for singers who play acoustic guitar Dial in rich, sophisticated BOSS sound processing with simple, intuitive controls Studio-quality vocal processing includes four types of ambience effects plus Enhance, chromatic pitch correction for live vocal tuning, and more Create natural vocal harmonies in real time based on guitar input or manual key settings Also includes a vocal doubling effect, plus more dramatic processing like hard-tuned electronic voices, distortion, and a radio voice effect Dedicated guitar channel includes Acoustic Resonance, reverb, chorus, tuner, and various effects, plus phase invert and notch filter for feedback control Looper function with 80 seconds of recording time and the ability to loop guitar and vocals independently Memory mode for storing and recalling 50 favorite settings Flexible connections for integrating with a main PA and stage monitors, plus USB for computer recording Runs on six AA batteries or included AC adapter - The BOSS VE-8 Acoustic Singer is a unit dedicated to the acoustic guitar play who sings. It is a complete solution that includes a range of processing, including vocal harmonies and pitch correction, a looper and specific vocal/guitar FX. The vocal channel on the VE-8 comes complete with a selection of options to process and tweak your vocal. There are 4 ambienceeffects plus an Enhance feature to add clarity and control to your vocal sound. The Chromatic Pitch function will keep your vocals in tune, with fast-time processing. Want to add a modern touch to your vocals? Why not try thehard-tuned electronic voice sounds, distortion, and radio voice tones. Adding harmonies to your vocals is easy with the VE-8.The unit detects the chords and key played on your connected guitar, and then generates the correct harmonies, live. Hybrid and fixed harmony modes are available too, providing versatility for different performing applications. A doubling effect is also included for adding fullness and presence to a vocal performance. The guitar channel in the VE-8 provides a wide range of sound-shaping options and performance functions. Acoustic Resonance restores the natural guitar sound, eliminating the sterile piezo "quack" that plagues undersaddle pickups used in typical plugged-in acoustics. Reverb and chorus are on hand too, plus effects like Octave, Mod Delay, and more. Useful tools for stage performing include a built-in guitar tuner, plus a phase switch and notch filter for instantly dealing with any feedback issues Also included in the VE-8 is a specially designed looper with up to 80 seconds of recording time. The looper is always available via a dedicated footswitch, and the user can easily select the guitar, voice, or both as a looping source via panel buttons or an optional external footswitch. Thanks to its intuitivedesign, the BOSS VE8 is a breeze to use and will perfectly fit into your live set-up. The three built-in footswitchesallow for easy control whilst performing, plus you can use optional footswitchesfor more control. It can be run off batteries or on AC power.
£299.00
image
Free Delivery
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